Thursday, January 23, 2020

Two Characters from J.B.Priestley’s play, An Inspector Calls :: English Literature

Choose two characters from the play. With careful analysis of relevant sections of An Inspector Calls, show how Priestley wants us to react to them in different ways, and give reasons for these differences Priestley’s socialist views are reflected in his play-written in 1945 but set in 1912- just before the first of many imperative and decisive events such as World War 1, World War 2 and who could forget , the sinking of the not so resilient cruise liner; Titanic- â€Å"An Inspector Calls†. Priestley wants everyone to work together and have no boundaries between them any longer. Believing that we are all responsible for each others actions and that we should learn from lapses in the past and act upon them is a key element in Priestley’s socialist beliefs. By learning these mistakes it would create a superior and more established hope for the future. â€Å"An Inspector Calls† is a moralizing glance at the site and situation of one family, the Birlings. Priestley uses his play as a vehicle to express his moral and social concerns; that if we do not begin taking responsibility for each others actions, there will be no hope, no foundation and most importantly no future. The characteristics of this family are chosen carefully and accurately. The â€Å"older generation†, Mr Birling is described as a â€Å"prosperous manufacturer† who believes that â€Å"a man has to mind his own business and look after himself† and should not get involved in â€Å"community and all that nonsense†. He is a very pretentious, egotistical and typical man of 1912. The moment in time when Priestley decided to write the play couldn’t have been more perfect, and is where he uses Mr Birling to express the naà ¯ve and pugnacious capitalist views in his rather long and â€Å"portentous† speeches. His speeches consist of how none of these things will ever happen. â€Å"†¦I say there isn’t a chance of war† and the Titanic is â€Å"†¦unsinkable, absolutely unsinkable† and not to overlook that the world would have â€Å"forgotten all these Capital versus Labour agitations†, which are obvious signs of dramatic irony. Whereas Sheila, the â€Å"younger generation† is rather â€Å"pleased with life†, which shows her vulnerability to be easily divorced from her engagement festivity. Because she is young and still learning new and â€Å"squiffy† terms, Priestley chooses her to change and develop, in hope that people will become more socialist in the near future. Sheila is a more compatible person who eventually changes her views as the play progresses. In the beginning of the play â€Å"the general effect is substantial and heavily comfortable, but not cosy and homelike†. We are made to feel that this is an environment with an array of surprises lying ahead.

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